Complete Project Gutenberg William Dean Howells Works — William Dean Howells

Produced by David Widger

[NOTE: There are short lists of bookmarks, or pointers, at the end of many of the major sections of this work for those who may wish to sample the author's ideas before making an entire meal of them. D.W.]

[NOTE: This work is a compilation of the writings of William Dean Howells prepared by several contributors to Project Gutenberg. As more of his works are produced and posted as etexts they will be inserted into this file. D.W.]

[NOTE: Last Updated: August 1, 2018: The original file from the year 2001 had at that time 156,000 lines. Now, 18 years later, the number of Howel's works on Project Gutenberg has more than doubled. In the interests of size, speed of loading the file, and the delay in updating 65 of Howel's Ebooks from year to year, it has been decided to change this Ebook to an Index of the linked files with their linked tables of contents which has only 13,000 lines. DW]

INDEX OF THE PROJECT GUTENBERG WORKS OF WILLIAM DEAN HOWELS

Compiled by David Widger

CONTENTS Click on the ## before each title to view a linked table of contents for each of the twelve volumes. Click on the title itself to open the original online file. ## THE KENTONS

## FENNEL AND RUE

## DR. BREEN'S PRACTICE

## THE MARCH FAMILY TRILOGY

## LITERATURE AND LIFE

## APRIL HOPES

## LITERARY FRIENDS AND ACQUAINTANCES

## RAGGED LADY

## THE LANDLORD AT LION'S HEAD

## THE WHOLE FAMILY

## VENETIAN LIFE

## LONDON FILMS

## SUBURBAN SKETCHES

## SEVEN ENGLISH CITIES

## THE LEATHERWOOD GOD

## THE ALBANY DEPOT

## THE MINISTER'S CHARGE

## ROMAN HOLIDAYS AND OTHERS

## FAMILIAR SPANISH TRAVELS

## ANNIE KILBURN

## THE LADY OF THE AROOSTOOK

## A FOREGONE CONCLUSION

## MODERN ITALIAN POETS

## A MODERN INSTANCE

## A TRAVELER FROM ALTRURIA

## QUESTIONABLE SHAPES

## THROUGH THE EYE OF THE NEEDLE

## SOUTHERN LIGHTS AND SHADOWS

## STORIES OF OHIO

## BETWEEN THE DARK AND THE DAYLIGHT

## A CHANCE ACQUAINTANCE

## A LITTLE SWISS SOJOURN

## A PAIR OF PATIENT LOVERS

## THE STORY OF A PLAY

## A FEARFUL RESPONSIBILITY

## THE FLIGHT OF PONY BAKER

## THE COAST OF BOHEMIA

## CHRISTMAS EVERY DAY

## BOY LIFE

## A LIKELY STORY

## A BOY'S TOWN

## IMAGINARY INTERVIEWS

## THE DAUGHTER OF THE STORAGE

## THE QUALITY OF MERCY

## A COUNTERFEIT PRESENTMENT

## THE YEARS OF MY YOUTH

## MRS. FARRELL

## MY YEAR IN A LOG CABIN

## THE RISE OF SILAS LAPHAM

EBOOKS WITHOUT TABLES OF CONTENTS

THE WORLD OF CHANCE

MAN OF LETTERS, MAN OF BUSINESS

EMILE ZOLA

THE SLEEPING CAR

AN OPEN-EYED CONSPIRACY

THE GAROTTERS

THE REGISTER

THE ELEVATOR

THE PARLOR-CAR

INDIAN SUMMER

BUYING A HORSE

FIVE O'CLOCK TEA

EVENING DRESS

BRIDE ROSES

THE CONFESSION OF ST. AUGUSTINE

HENRY JAMES, JR.

PSYCHOLOGICAL COUNTER-CURRENT

TABLES OF CONTENTS OF VOLUMES

THE KENTONS

By William Dean Howells

I.

II.

III. IV

V.

VI.

VII.

VIII.

IX. X

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

XIX.

XX.

XXI.

XXII.

XXIII.

XXIV.

XV.

XXVI. FENNEL AND RUE

By William Dean Howells

I.

II.

III. IV

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

XIX.

XX.

XXI. DR. BREEN'S PRACTICE.

By William Dean Howells

1881

I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII. THE ENTIRE MARCH FAMILY TRILOGY

THEIR WEDDING JOURNEY

A HAZARD OF NEW FORTUNES

THEIR SILVER WEDDING JOURNEY.

By William Dean Howells

THEIR WEDDING JOURNEY I. THE OUTSET.

II. MIDSUMMER-DAY'S DREAM.

III. THE NIGHT BOAT.

IV. A DAY'S RAILROADING

V. THE ENCHANTED CITY, AND BEYOND.

VI. NIAGARA.

VII. DOWN THE ST. LAWRENCE.

VIII. THE SENTIMENT OF MONTREAL.

IX. QUEBEC.

X. HOMEWARD AND HOME.

XI. NIAGARA REVISITED.

A HAZARD OF NEW FORTUNES

PART FIRST

I.

II.

III. IV

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII. PART SECOND

I.

II.

III. IV

V.

VI.

VII.

IX. X

XI.

XII.

XIII.

XIV. PART THIRD

I.

II.

III. IV

V.

VI. VII

VIII.

IX. PART FOURTH

I.

II.

III. IV

V.

VI.

VII.

VIII.

IX. PART FIFTH

I.

II.

III. IV

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII. THEIR SILVER WEDDING JOURNEY.

PART I.

I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

XIX.

XX.

XXI.

XXII.

XXIII.

XXV. PART II.

XXVI.

XXVII. XXVIII.

XXIX.

XXX.

XXXI.

XXXII. XXXIII.

XXXIV.

XXXV.

XXXVI. XXXVII.

XXXVIII.

XXXIX. XL.

XLI.

XLII.

XLIII.

XLIV.

XLV.

XLVI.

XLVII.

PART III.

XLIX.

L. LI.

LII.

LIII.

LIV.

LV.

LVI.

LVII.

LVIII.

LIX.

LX.

LXI.

LXII.

LXIII.

LXIV.

LXV.

LXVI.

LXVII.

LXVIII.

LXIX.

LXX.

LXXI.

LXXII.

LXXIII.

LXXVI.

LXXV.

LITERATURE AND LIFE
by William Dean Howells

BIOGRAPHICAL

THE MAN OF LETTERS AS A MAN OF BUSINESS

I. II. III. IV. V. VI. VII. VIII IX. X. XI.

CONFESSIONS OF A SUMMER COLONIST

I. II. III. IV

THE EDITOR’S RELATIONS WITH THE YOUNG CONTRIBUTOR

I. II. III. IV. V. VI.

LAST DAYS IN A DUTCH HOTEL

I. II. III IV V. VI. VII. VIII.

SOME ANOMALIES OF THE SHORT STORY

I. II. III. IV. V. VI.

SPANISH PRISONERS OF WAR

I. II. III. IV.

AMERICAN LITERARY CENTRES

I. II. III. IV. V.

THE STANDARD HOUSEHOLD-EFFECT COMPANY

I. II.

STACCATO NOTES OF A VANISHED SUMMER

I. II. III. IV. V.

SHORT STORIES AND ESSAYS

WORRIES OF A WINTER WALK

I. II. III.

SUMMER ISLES OF EDEN

I. II. III. IV.

WILD FLOWERS OF THE ASPHALT

I. II. III. IV

A CIRCUS IN THE SUBURBS

I. II. III. IV.

A SHE HAMLET

I. II. III.

THE MIDNIGHT PLATOON

I. II. III. IV. V.

THE BEACH AT ROCKAWAY

I. II. III. IV. V. VI.

SAWDUST IN THE ARENA

I. II. III.

AT A DIME MUSEUM

I. II.

AMERICAN LITERATURE IN EXILE

I. II.

THE HORSE SHOW

I. II. III. IV.

THE PROBLEM OF THE SUMMER

I. II. III.

AESTHETIC NEW YORK FIFTY-ODD YEARS AGO

I. II.

FROM NEW YORK INTO NEW ENGLAND

I. II. III. IV. V.

THE ART OF THE ADSMITH

I. II. III.

THE PSYCHOLOGY OF PLAGIARISM

I. II.

PURITANISM IN AMERICAN FICTION

I. II.

THE WHAT AND THE HOW IN ART

I. II. III.

POLITICS OF AMERICAN AUTHORS

I. II. III. IV.

STORAGE

I. II. III. IV

“FLOATING DOWN THE RIVER ON THE O-HI-O”

I. II. III. IV. V. VI.

MY LITERARY PASSIONS

BIBLIOGRAPHICAL

I. THE BOOKCASE AT HOME

II. GOLDSMITH

III. CERVANTES

IV. IRVING

V. FIRST FICTION AND DRAMA

VI. LONGFELLOW’S “SPANISH STUDENT”

VII. SCOTT

VIII. LIGHTER FANCIES

IX. POPE

X. VARIOUS PREFERENCES

XI. UNCLE TOM’S CABIN

XII. OSSIAN

XIII. SHAKESPEARE

XIV. IK MARVEL

XV. DICKENS

XVI. WORDSWORTH, LOWELL, CHAUCER

XVII. MACAULAY

XVIII. CRITICS AND REVIEWS

XIX. A NON-LITERARY EPISODE

XX. THACKERAY

XXI. “LAZARILLO DE TORMES”

XXII. CURTIS, LONGFELLOW, SCHLEGEL

XXIII. TENNYSON

XXIV. HEINE

XXV. DE QUINCEY, GOETHE, LONGFELLOW

XXVI. GEORGE ELIOT, HAWTHORNE, GOETHE, HEINE

XXVII. CHARLES READE

XXVIII. DANTE

XXIX. GOLDONI, MANZONI, D’AZEGLIO

XXX. “PASTOR FIDO,” “AMINTA,” “ROMOLA,” “YEAST,” “PAUL FERROLL”

XXXI. ERCKMANN-CHATRIAN, BJORSTJERNE BJORNSON

XXXII. TOURGUENIEF, AUERBACH

XXXIII. CERTAIN PREFERENCES AND EXPERIENCES

XXXIV. VALDES, GALDOS, VERGA, ZOLA, TROLLOPE, HARDY

XXXV. TOLSTOY

CRITICISM AND FICTION

I II III IV V. VI. VII. VIII. IX. X. XI. XII. XIII. XIV. XV. XVII. XVIII. XIX. XX. XXI. XXII. XXIII. XXIV. XXV. XXVI. XXVII.

PG EDITOR’S BOOKMARKS

APRIL HOPES

1887

by William Dean Howells

I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

XIX.

XX.

XXI.

XXII.

XXIII.

XXIV.

XXV.

XXVI.

XXVII. XXVIII.

XXIX.

XXX.

XXXI.

XXXII. XXXIII:

XXXIV.

XXXV.

XXXVI. XXXVII.

XXXVIII.

XXXIX. XL.

XLI.

XLII.

XLIII

XLIV.

XLV.

XLVI.

XLVII.

XLVIII.

XLIX.

L.

LITERARY FRIENDS AND ACQUAINTANCES
by William Dean Howells

LITERARY FRIENDS AND ACQUAINTANCES

BIBLIOGRAPHICAL

MY FIRST VISIT TO NEW ENGLAND

I.

II. III

IV

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII. FIRST IMPRESSIONS OF LITERARY NEW YORK

I.

II.

III.

IV.

V.

VI. ROUNDABOUT TO BOSTON

I.

II.

III.

IV.

V.

VI. LITERARY BOSTON AS I KNEW IT

I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X. OLIVER WENDELL HOLMES

I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX. THE WHITE MR. LONGFELLOW

I.

II.

III.

IV.

V.

VI.

VII.

VIII. STUDIES OF LOWELL

I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII. CAMBRIDGE NEIGHBORS

I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI. A BELATED GUEST

I.

II.

III.

IV. MY MARK TWAIN

I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XIX.

XX.

XXI.

XXII.

XXIII.

XXIV.

XXV.

ETEXT EDITOR’S BOOKMARKS

RAGGED LADY.

By William Dean Howells

Part 1.

I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII.

XIII.

XIV.

Part 2.

XV.

XVI.

XVII.

XVIII.

XIX.

XX.

XI.

XXII. XXIII

XXIV.

XXV.

XXVI.

XXVII. XXVIII.

XXIX.

XXX.

XXXI.

XXXII. XXXIII.

XXXIV.

XXXV.

XXXVI. XXXVII.

XXXVIII.

XXXIX. XL.

THE LANDLORD AT LION'S HEAD

By William Dean Howells

THE LANDLORD AT LION'S HEAD

Part I.

I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII.

XIII.

XIV.

XVI.

XVII.

XVIII.

XIX.

XX.

XXI.

XXII.

XIII.

XXIV.

XXV.

XXVI.

Part II.

XXVII. XXVIII.

XXIX

XXX.

XXXI.

XXXII. XXXIII.

XXXIV.

XXXV.

XXXVI. XXXVII.

XXXVIII.

XXXIX

XL.

XLI.

XLII.

XLIII

XLIV

XLV.

XLVI

XLVII.

XLVIII

XLIX.

L. LI.

LII.

LIII.

LIV.

LV

THE WHOLE FAMILY,
A NOVEL BY TWELVE AUTHORS

By William Dean Howells, Mary E. Wilkins Freeman, Mary Heaton Vorse, Mary Stewart Cutting, Elizabeth Jordan, John Kendrick Bangs, Henry James, Elizabeth Stuart Phelps, Edith Wyatt, Mary Raymond Shipman Andrews, Alice Brown, Henry Van Dyke

I. THE FATHER, by William Dean Howells

II. THE OLD-MAID AUNT, by Mary E. Wilkins Freeman

III. THE GRANDMOTHER, by Mary Heaton Vorse

IV. THE DAUGHTER-IN-LAW, by Mary Stewart Cutting

V. THE SCHOOL-GIRL, by Elizabeth Jordan

VI. THE SON-IN-LAW, by John Kendrick Bangs

VII. THE MARRIED SON, by Henry James

VIII. THE MARRIED DAUGHTER, By Elizabeth Stuart Phelps

IX. THE MOTHER, by Edith Wyatt

X. THE SCHOOL-BOY, By Mary Raymond Shipman Andrews

XI. PEGGY, by Alice Brown

XII. THE FRIEND OF THE FAMILY, by Henry Van Dyke

VENETIAN LIFE
By William Dean Howells

ADVERTISEMENT TO THE SECOND EDITION.

CONTENTS.

CHAPTER I.

CHAPTER II.

CHAPTER III.

CHAPTER IV.

CHAPTER V.

CHAPTER VI.

CHAPTER VII.

CHAPTER VIII.

CHAPTER IX.

CHAPTER X.

CHAPTER XI.

CHAPTER XII.

CHAPTER XIII.

CHAPTER XIV.

CHAPTER XV.

CHAPTER XVI.

CHAPTER XVII.

CHAPTER XVIII.

CHAPTER XIX.

CHAPTER XX.

CHAPTER XXI.

CHAPTER XXII.

DETAILED CONTENTS.
I. Venice in Venice
II. Arrival and first Days in Venice
III. The Winter in Venice
IV. Comincia far Caldo
V. Opera and Theatres
VI. Venetian Dinners and Diners
VII. Housekeeping in Venice
VIII. The Balcony on the Grand Canal
IX. A Day-Break Ramble
X. The Mouse
XI. Churches and Pictures
XII. Some Islands of the Lagoons
XIII. The Armenians
XIV. The Ghetto and the Jews of Venice
XV. Some Memorable Places
XVI. Commerce
XVII. Venetian Holidays
XVIII. Christmas Holidays
XIX. Love-making and Marrying; Baptisms and Burials
XX. Venetian Traits and Characters
XXI. Society
XXII. Our Last Year in Venice
Index

LONDON FILMS
BY W. D. HOWELLS

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

XV

XVI

XVII

XVIII

XIX

XX

List of Illustrations

Fleet Street and St. Dunstan's Church

The Carriages Drawn up Beside the Sacred Close

Sunday Afternoon, Hyde Park

Rotten Row.

A Block in the Strand.

St. Paul's Cathedral.

Westminster Abbey.

The Horse Guards, Whitehall

Westminster Bridge and Clock Tower.

A House-boat Ox the Thames at Henley.

The Crowd of Sight-seers at Henley

The Tower of London.

St. Olave's, Tooley Street.

London Bridge.

The Ancient Church of St. Magnus.

The East India House of Charles Lamb's Time.

Church of the Dutch Refugees.

Bow-bells (st. Mary-le-bow, Cheapside).

Staple Inn, Holborn.

Clifford's Inn Hall.

Ancient Church of St. Martins-in-the-fields.

Hyde Park in October.

Thames Embankment.

SUBURBAN SKETCHES
By William Dean Howells
Author Of “Venetian Life,” “Italian Journeys” Etc.

MRS. JOHNSON

DOORSTEP ACQUAINTANCE

A PEDESTRIAN TOUR.

BY HORSE-CAR TO BOSTON

A DAY'S PLEASURE

A ROMANCE OF REAL LIFE

SCENE

JUBILEE DAYS

SOME LESSONS FROM THE SCHOOL OF MORALS.

FLITTING

Illustrations

“But I Suppose This Wine is Not Made of Grapes, Signor?”

“Looking About, I Saw Two Women.”

“The Young Lady in Black, Who Alighted at a Most Ordinary Little Street.”

“That Sweet Young Blonde, Who Arrives by Most Trains.”

“Frank and Lucy Stalked Ahead, With Shawls Dragging From Their Arms.”

“They Skirmish About Him With Every Sort of Query.”

“A Gaunt Figure of Forlorn and Curious Smartness.”

“The Spectacle As We Beheld It.”

“Vacant and Ceremonious Zeal.”

SEVEN ENGLISH CITIES
By W. D. Howells

A MODEST LIKING FOR LIVERPOOL

SOME MERITS OF MANCHESTER

IN SMOKIEST SHEFFIELD

NINE DAYS’ WONDER IN YORK

TWO YORKISH EPISODES

A DAY AT DONCASTER AND AN HOUR OUT OF DURHAM

THE MOTHER OF THE AMERICAN ATHENS

ABERYSTWYTH, A WELSH WATERING-PLACE

LLANDUDNO, ANOTHER WELSH WATERING-PLACE

GLIMPSES OF ENGLISH CHARACTER

THE LEATHERWOOD GOD
By William Dean Howells

PUBLISHER'S NOTE

LIST OF ILLUSTRATIONS

THE LEATHERWOOD GOD

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

XV

XVI

XVII

XVIII

XIX

XX

XXI

XXII

XXIII

List of Illustrations

Nancy Stood Staring at Her, With Words Beyond Saying In Her Heart—words That Rose in Her Throat and Choked Her

“You Believe, Maybe, That You Would Be Struck Dead if You Said the Things That I Do; But Why Ain't I Struck Dead?”

“It's my Cloth! I Spun It, I Wove It, Every Thread! It's All We've Got for Our Clothes This Winter!”

“Now You Can See How It Feels to Have Your Own Husband Slap You.”

She Had Begun to Wash his Wound, Very Gently, Though She Spoke So Roughly, While he Murmured With the Pain and With The Comfort Of The Pain

They Swarmed Forward to the Altar-place and Flung Themselves on the Ground, and Heaped The Pulpit-steps With Their Bodies

“And he Went Down Ag'in, and when He Come up Ag'in, His Face Was All Soakin' Wet, Like He'd Been Crying Under the Water”

THE ALBANY DEPOT
A FARCE

By W. D. Howells
(THE ACTION PASSES IN BOSTON)

I. MR. AND MRS. EDWARD ROBERTS; THE CHOREWOMAN

II. ROBERTS AND WILLIS CAMPBELL

III. THE McILHENYS, ROBERTS, AND CAMPBELL

IV. ROBERTS AND CAMPBELL

V. MRS. ROBERTS, MRS. CAMPBELL, ROBERTS, AND CAMPBELL; THEN THE COOK AND McILHENY

THE MINISTER'S CHARGE
OR, THE APPRENTICESHIP OF LEMUEL BARKER

By William Dean Howells

THE MINISTER'S CHARGE;

I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII.

XIII.

XIV.

XV. XVI

XVII.

XVIII.

XIX.

XX.

XXI.

XXII.

XXIII.

XXIV.

XXV.

XXVI. XXVII

XXVIII.

XXIX.

XXX.

XXXI.

XXXII. XXXIII

XXXIV.

XXXV. XXXVI

ROMAN HOLIDAYS

AND OTHERS
By W. D. Howells
ILLUSTRATED

ROMAN HOLIDAYS AND OTHERS

I. UP AND DOWN MADEIRA.

II. TWO UP-TOWN BLOCKS INTO SPAIN

III. ASHORE AT GENOA

IV. NAPLES AND HER JOYFUL NOISE

V. POMPEII REVISITED

VI. ROMAN HOLIDAYS

I. HOTELS, PENSIONS, AND APARTMENTS

II. A PRAISE OF NEW ROME

III. THE COLOSSEUM AND THE FORUM

IV. THE ANGLO-AMERICAN NEIGHBORHOOD OF THE SPANISH STEPS

V. AN EFFORT TO BE HONEST WITH ANTIQUITY

VI. PERSONAL RELATIONS WITH THE PAST

VII. CHANCES IN CHURCHES

VIII. A FEW VILLAS

IX. DRAMATIC INCIDENTS

X. SEEING ROME AS ROMANS SEE US

XI. IN AND ABOUT THE VATICAN

XII. SUPERFICIAL OBSERVATIONS AND CONJECTURES

XIII. CASUAL IMPRESSIONS

XIV. TIVOLI AND FRASCATI

XV. A FEW REMAINING MOMENTS

VII. A WEEK AT LEGHORN

VIII. OVER AT PISA

IX. BACK AT GENOA

X. EDEN AFTER THE FALL

ILLUSTRATIONS

01 Glimpse Outside of Modern Rome

02 Funchal Bay

03 Boats and Diving Boys, Funchal

04 Gibraltar from the Bay

05 Gibraltar from the Neutral Ground

06 Daughters of Climate Along the Riviera

07 Typical Monument in the Campo Santo

08 Naples and Her Joyful Noise

09 Out-door Life in Old Naples

10 Up-stairs Street in Old Naples

11 Naples and the Castel St. Elmo from The Mole

12 Excavating at Pompeii

13 the Street of Tombs, Pompeii

14 the Capuchin Church, Rome

15 Glimpse Inside of Imperial Rome

16 Interior of Colosseum from the South

17 the Sacred Way Through The Forum

18 the Roman Forum

19 Spanish Steps

20 Toward the Pincian Hill

21 Sepulchre of Romulus, Forum

22 Trajan's Forum and Column

23 the Rostra in The Forum

24 the Mosaics Under The Capuchin Church

25 Santa Maria Sopra Minerva

26 Church Op Ara Coeli

27 Church of Santa Maggiore

28 Michelangelo's “moses” in San Pietro In Vincoli

29 the Little Stadium With Its Gradines

30 Casino of the Villa Doria and Gardens

31 the Carnival (as It Once Was)

32 the Fountain of Trevi

33 Colonnade and Fountain at St. Peter's

34 Sistine Chapel, Vatican Palace

35 Piazza Del Popolo from the Pincian Hill

36 the Baths of Diocletian

37 Church of St. John Lateran and Lateran Palace

38 Stairway and Fountain, Villa D'este

39 Villa Falconieri, Entrance, Frascati

40 in the Gardens of The Villa Falconieri

41 the Marble Faun

42 Marcus Aurelius With Out-stretched Arm

43 in the Villa Medici

44 the Baths of Caracalla

45 Piazza Victor Emanuel, Leghorn

46 the Canal at Leghorn

47 the Cathedral, Baptistery, and Leaning Tower, Pisa

48 With Almost Any of My Backgrounds

49 Washing in the River, Genoa

50 Realistic Group in the Campo Santo

51 Monaco

52 the Casino, Monte Carlo

FAMILIAR SPANISH TRAVELS

By W. D. Howells

FAMILIAR SPANISH TRAVELS

I. AUTOBIOGRAPHICAL APPROACHES

II. SAN SEBASTIAN AND BEAUTIFUL BISCAY

III. BURGOS AND THE BITTER COLD OF BURGOS

IV. THE VARIETY OF VALLADOLID

V. PHASES OF MADRID

VI. A NIGHT AND DAY IN TOLEDO

VII. THE GREAT GRIDIRON OF ST. LAWRENCE

VIII. CORDOVA AND THE WAY THERE

IX. FIRST DAYS IN SEVILLE

X. SEVILLIAN ASPECTS AND INCIDENTS

XI. TO AND IN GRANADA

XII. THE SURPRISES OF RONDA

XIII. ALGECIRAS AND TARIFA

ILLUSTRATIONS

01 Puerta Del Sol—gate of the Sun—toledo

02 The Casino, San Sebastian, Looks out Upon The Curving Concha and The Blue Bay

03 The Sea Sweeps Inland in a Circle of Blue, to Form The Entrance To The Harbor, San Sebastian

04 Groups of Women on Their Knees Beating Clothes in the Water

05 The Iron-gray Bulk of The Cathedral Rears Itself from Clustering Walls and Roofs

06 The Tomb of Donna Maria Manuel

07 A Burgos Street

08 A Street Leading to the Cathedral

09 The University of Valladolid

10 Church of San Pablo

11 The House in Which Philip Ii. Was Born

12 The Bull-ring, Madrid

13 Guard-mount in the Plaza de Armas, Royal Palace, Madrid

14 Riches of Gray Roof and White Wall Mark Its Insurpassable Antiquity

15 An Ancient Corner of the City

16 The Bridge Across The Yellow Tagus

17 The Town and Monastery of Escorial

18 The Pantheon of The Kings and Queens Of Spain

19 The Ancient City of Cordova

20 The Bell-tower of The Great Mosque, Cordova

21 Gateway of the Bridge, Cordova

22 In Attitudes of Silent Devotion

23 The Cathedral and Tower of The Giralda

24 Ancient Roman Columns Lifting Aloft the Figures of Hercules and Caesar

25 Gardens of the Alcazar

26 The Court of Flags and Tower Of The Giralda

27 To the Alhambra

28 The Court of The Lions

29 Looking Northwest from the Generalife over Granada

30 Looking Across the New Bridge (300 Feet High) over The Guada-laviar Gorge, Ronda

31 View of Algeciras

ANNIE KILBURN
A Novel
By W. D. Howells

I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

XIX.

XX.

XXI.

XXII.

XXIII.

XXIV.

XXV.

XXVI.

XXVII. XXVIII.

XXIX.

XXX.

THE LADY OF THE AROOSTOOK
By William Dean Howells

I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

XIX.

XX.

XXI.

XXII.

XXIII.

XXIV.

XXV.

XXVI.

XXVII.

A FOREGONE CONCLUSION
By William Dean Howells

Fifteenth Edition.

A FOREGONE CONCLUSION

I. II

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

MODERN ITALIAN POETS
ESSAYS AND VERSIONS

By William Dean Howells

INTRODUCTION

ARCADIAN SHEPHERDS

GIUSEPPE PARINI

VITTORIO ALFIERI

VINCENZO MONTI AND UGO FOSCOLO

Notes:

ALESSANDRO MANZONI

SILVIO PELLICO, TOMASSO GROSSI, LUIGI CAREER, AND GIOVANNI BERCHET

GIAMBATTISTA NICCOLINI

GIACOMO LEOPARDI

GIUSEPPE GIUSTI

FRANCESCO DALL' ONGARO

GIOVANNI PRATI

ALEARDO ALEARDI

Notes:

GUILIO CARCANO, ARNALDO FUSINATO AND LUIGI MERCANTINI

CONCLUSION

A MODERN INSTANCE
By William Dean Howells

INTRODUCTION.

THE SEQUENCE OF MR. HOWELLS'S BOOKS.

A MODERN INSTANCE.

I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

XIX.

XX.

XXI.

XXII.

XXIII.

XXIV.

XXV.

XXVI.

XXVII. XXVIII.

XXIX.

XXX.

XXXI.

XXXII. XXXIII.

XXXIV.

XXXV.

XXXVI. XXXVII.

XXXVIII.

XXXIX. XL.

XLI.

A TRAVELER FROM ALTRURIA
Romance

By W. D. Howells
1908

A TRAVELER FROM ALTRURIA

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

QUESTIONABLE SHAPES
BY
W. D. HOWELLS

Published May, 1903
CONTENTS.

HIS APPARITION

THE ANGEL OF THE LORD

THOUGH ONE ROSE FROM THE DEAD

THROUGH THE EYE OF THE NEEDLE
A Romance
With An Introduction

By William Dean Howells

1907

INTRODUCTION

PART FIRST

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

XV

XVI

XVII

XVIII

XIX

XX

XXI

XXII

XXIII

XXIV

XXV

XXVI

XXVII

PART SECOND

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

SOUTHERN LIGHTS AND SHADOWS
Harper's Novelettes
By Various
Edited By William Dean Howells And Henry Mills Alden
1907

Introduction

The Capture of Andy Proudfoot

The Level of Fortune

Pap Overholt

In the Piny Woods

My Fifth in Mammy

An Incident

A Snipe-Hunt

The Courtship of Colonel Bill

The Balance of Power

STORIES OF OHIO
By William Dean Howells

1897

PREFACE.

STORIES OF OHIO

I THE ICE FOLK AND THE EARTH FOLK.

IIOHIO AS A PART OF FRANCE.

IIIOHIO BECOMES ENGLISH.

IVTHE FORTY YEARS’ WAR FOR THE WEST.

VTHE CAPTIVITY OF JAMES SMITH

VITHE CAPTIVITY OF BOONE AND KENTON.

VIITHE RENEGADES.

VIIITHE WICKEDEST DEED IN OUR HISTORY.

IXTHE TORTURE OF COLONEL CRAWFORD

XTHE ESCAPE OF KNIGHT AND SLOVER.

XITHE INDIAN WARS AND ST, CLAIR’S DEFEAT.

XIITHE INDIAN WARS AND WAYNE’S VICTORY.

XIIIINDIAN FIGHTERS.

XIVLATER CAPTIVITIES.

XVINDIAN HEROES AND SAGES.

XVILIFE IN THE BACKWOODS.

XVIITHE FIRST GREAT SETTLEMENTS.

XVIIITHE STATE OF OHIO IN THE WAR OF 1812.

XIXA FOOLISH MAN, A PHILOSOPHER, AND A FANATIC.

XXWAYS OUT.

XXITHE FIGHT WITH SLAVERY.

XXIITHE CIVIL WAR IN OHIO

XXIII FAMOUS OHIO SOLDIERS

XXIVOHIO STATESMEN

XXVOTHER NOTABLE OHIOANS

XVIINCIDENTS AND CHARACTERISTICS.

ILLUSTRATIONS

Stone Axes

Serpent Mound

Pichawillany, Chief Town of the Miamis

Indians Carry off the Women

Indians Delivering up Captives

Indian War Parties Joining the English

Pioneers

Indian Baptism of James Smith

An Indian Prayer

Daniel Boone Shooting With the Indians

Kenton and Girty

Simon Girty

Massacre of the Christian Indians by The Whites

Execution of Crawford

Knight Escapes

The Defeat of St. Clair

The Escape of Kennan

St. Clair’s Defeat

A White Indian

Wetzel, Indian Fighter

Bearskin Cap on a Ramrod

Brickell Leaves his Indian Father

Alder Returns to his Family

Logan’s Elm

Tecumseh

Tomahawk

Ohio Cabin

Lost in the Woods

Marrieta, Ohio

Admiral Perry on Lake Erie

Aarun Burr and Blennerhassett

Johnny Appleseed

Proclaimed Himself the Lord Jesus Christ

Governor Clinton

Early Railroad

Steamboat Explosion

Indian Evacuation by River

Slavery Issue

John Brown Making Pikes for Slaves

John Morgan Invades Ohio in 1863

Hiding With the Pigs

A Copperhead Walks With General Morgan

Rutherford Hayes

William Tecumseh Sherman

General George A. Custer

James A. Garfield

General Phillip H. Sheridan

Benjamin Harrison

Salmon P. Chase

John Sherman

William Mckinley

Thomas Corwin

Thomas A. Edison

Whitelaw Reid

Harriet Beecher Stowe

George Kennan

BETWEEN THE DARK AND THE DAYLIGHT
Romances
by
W.D. Howells
1907
CONTENTS
CHAP.

A Sleep and a Forgetting
The Eidolons of Brooks Alford
A Memory that Worked Overtime
A Case of Metaphantasmia
Editha
Braybridge’s Offer
The Chick of the Easter Egg

ILLUSTRATIONS

Their joint study of her dancing-card did not help them out A lively matron, of as youthful a temperament as the lively girls she brought in her train, burst upon them “She shook her head, and said,... ‘Nobody has been here, except—’” “No burglar could have missed me if he had wanted an easy mark” “‘You shall not say that!’” “She glared at editha. ‘What you got that black on for?’”

A CHANCE ACQUAINTANCE.
BY W. D. HOWELLS.
1873.
CONTENTS

I. UP THE SAGUENAY.
II. MRS. ELLISON'S LITTLE MANEUVRE.
III. ON THE WAY BACK TO QUEBEC.
IV. MR. ARBUTON'S INSPIRATION.
V. MR. ARBUTON MAKES HIMSELF AGREEABLE.
VI. A LETTER OF KITTY'S.
VII. LOVE'S YOUNG DREAM.
VIII. NEXT MORNING.
IX. MR. ARBUTON'S INFATUATION.
X. MR. ARBUTON SPEAKS.
XI. KITTY ANSWERS.
XII. THE PICNIC AT CHATEAU-BIGOT.
XIII. ORDEAL.
XIV. AFTERWARDS.

A LITTLE SWISS SOJOURN
BY W. D. HOWELLS
ILLUSTRATED
NEW YORK
HARPER & BROTHERS, FRANKLIN SQUARE
1893
CONTENTS

First Paper
Second Paper
ILLUSTRATIONS

Tourists at Montreux

Sign of the White Cross Inn

Entrance to Villeneuve

Post-office, Villeneuve

The Castle of Chillon

A Railroad Servant

A Bit of Villeneuve

The Prisoner of Chillon

One of the Fountains

"They helped to make the hay in the marshes"

Cattle at the Fountains

Washing Clothes in the Lake

Flirtation at the Fountains

The Wine-press

Castle of Aigle

The Market at Vevay

The Market, Vevay—A Bargain before the Notary

Germans at Montreux

Church Terrace, Montreux

Tour up the Lake

A PAIR OF PATIENT LOVERS
By W. D. Howells
CONTENTS

A PAIR OF PATIENT LOVERS
THE PURSUIT OF THE PIANO.
A DIFFICULT CASE.
THE MAGIC OF A VOICE.
A CIRCLE IN THE WATER.

THE STORY OF A PLAY
A Novel
BY
W. D. HOWELLS
1898
CONTENTS
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
CHAPTER VIII.
CHAPTER IX.
CHAPTER X.
CHAPTER XI.
CHAPTER XII.
CHAPTER XIII.
CHAPTER XIV.
CHAPTER XV.
CHAPTER XVI.
CHAPTER XVII.
CHAPTER XVIII.
CHAPTER XIX.
CHAPTER XX.
CHAPTER XXI.
CHAPTER XXII.
CHAPTER XXIII.
CHAPTER XXIV.
CHAPTER XXV.

A FEARFUL RESPONSIBILITY
AND OTHER STORIES

BY
WILLIAM D. HOWELLS
CONTENTS.

A Fearful Responsibility
At the Sign of the Savage
Tonelli's Marriage

THE FLIGHT
OF PONY BAKER
A Boy’s Town Story

By
W.D. HOWELLS

author of

“A BOY’S TOWN”
“CHRISTMAS EVERY DAY” ETC.

ILLUSTRATED Contents CHAP. PAGE I Pony’s Mother, and why he had a Right to run off 3 II The Right that Pony had to run off, from the way his Father acted 15 III Jim Leonard’s Hair-breadth Escape 32 IV The Scrape that Jim Leonard got the Boys into 52 V About running away to the Indian Reservation on a Canal-boat, and how the Plan failed 77 VI How the Indians came to the Boy’s Town and Jim Leonard acted the Coward 89 VII How Frank Baker spent the Fourth at Pawpaw Bottom, and saw the Fourth of July Boy 105 VIII How Pony Baker came pretty near running off with a Circus 141 IX How Pony did not quite get off with the Circus 152 X The Adventures that Pony’s cousin, Frank Baker, had with a Pocketful of Money 165 XI How Jim Leonard planned for Pony Baker to run off on a Raft 192 XII How Jim Leonard backed out, and Pony had to give it up 208 Illustrations

“ALL THE FELLOWS CAME ROUND AND ASKED HIM WHAT HE WAS GOING TO DO NOW” Frontispiece

“BEING DRESSED SO WELL WAS ONE OF THE WORST THINGS THAT WAS DONE TO HIM BY HIS MOTHER”4

“‘I’LL LEARN THAT LIMB TO SLEEP IN A COW-BARN!’” 50

“REAL INDIANS, IN BLANKETS, WITH BOWS AND ARROWS” 90

“VERY SMILING-LOOKING” 124

“HE BEGAN BEING COLD AND STIFF WITH HER THE VERY NEXT MORNING” 144

“FRANK BAKER WAS ONE OF THOSE FELLOWS THAT EVERY MOTHER WOULD FEEL HER BOY WAS SAFE WITH” 166

“‘WHY, YOU AIN’T AFRAID, ARE YOU, PONY?’” 204

THE COAST OF BOHEMIA
By

W. D. Howells
Biographical Edition

1899

TABLE OF CONTENTS
Chapter

I. XXI.
II. XXII.
III. XXIII.
IV. XXIV.
V. XXV.
VI. XXVI.
VII. XXVII.
VIII. XXVIII.
IX. XXIX.
X. XXX.
XI. XXXI.
XII. XXXII.
XIII. XXXIII.
XIV. XXXIV.
XV. XXXV.
XVI. XXXVI.
XVII. XXXVII.
XVIII. XXXVIII.
XIX. XXXIX.
XX.

CHRISTMAS EVERY DAY
AND OTHER STORIES
TOLD FOR CHILDREN
By W. D. Howells
CONTENTS
CHRISTMAS EVERY DAY 3
TURKEYS TURNING THE TABLES 25
THE PONY ENGINE AND THE PACIFIC EXPRESS 51
THE PUMPKIN-GLORY 71
BUTTERFLYFLUTTERBY AND FLUTTERBYBUTTERFLY 111
ILLUSTRATIONS
PAGE
“Having Bonfires in the Back Yard of the Palace” Frontispiece
“The Old Gobbler ‘First Premium’ said They were Going to Turn the Tables Now” 35
Two Little Pumpkin Seeds 75
Took the First Premium at the County Fair 83
“‘Here's that little fool pumpkin,’ said the farmer” 85
“Caught His Trousers on a Shingle-nail, and Stuck” 93
“‘My sakes! it's comin' to life!’” 103
Tail-piece 107
“‘Fix dusters! Make ready! Aim! Dust!’” 121
“The General-in-Chief used to go behind the Church and Cry” 125
“The Young Khan and Khant entered the Kingdom with a Magnificent Retinue” 131
“She was Going to Take the Case into Her own Hands” 135
“The Imam put His Head to the Floor” 139
“They began to scream, ‘Oh, the cow! the cow!’” 143

BOY LIFE
STORIES AND READINGS SELECTED FROM THE WORKS OF
WILLIAM DEAN HOWELLS
AND ARRANGED FOR SUPPLEMENTARY
READING IN ELEMENTARY SCHOOLS BY
PERCIVAL CHUBB
DIRECTOR OF ENGLISH IN THE
ETHICAL CULTURE SCHOOL, NEW YORK
ILLUSTRATED
CONTENTS
PAGE
Introduction ix
I. Adventures in a Boy's Town
HOW PONY BAKER CAME PRETTY NEAR RUNNING OFF WITH A CIRCUS 3
THE CIRCUS MAGICIAN 13
JIM LEONARD'S HAIR-BREADTH ESCAPE 23
II. Life in a Boy's Town
THE TOWN 41
EARLIEST MEMORIES 45
HOME LIFE 47
THE RIVER 51
SWIMMING 55
SKATING 61
MANNERS AND CUSTOMS 64
GIRLS 68
MOTHERS 69
A BROTHER 73
A FRIEND 79
III. Games and Pastimes
MARBLES 89
RACES 91
A MEAN TRICK 93
TOPS 96
KITES 98
THE BUTLER GUARDS 103
PETS 108
INDIANS 124
GUNS 129
NUTTING 138
THE FIRE-ENGINES 145
IV. Glimpses of the Larger World
THE TRAVELLING CIRCUS 151
PASSING SHOWS 163
THE THEATRE COMES TO TOWN 168
THE WORLD OPENED BY BOOKS 171
V. The Last of a Boy's Town 183
ILLUSTRATIONS
PAGE
KITE-TIME Frontispiece
HE BEGAN BEING COLD AND STIFF WITH HER THE VERY NEXT MORNING 5
THE FIRST LOCK 43
THE BUTLER GUARDS 105
ALL AT ONCE THERE THE INDIANS WERE 127
NUTTING 141

A LIKELY STORY

Farce

BY
W. D. HOWELLS

ILLUSTRATED
CONTENTS
Page
MR. AND MRS. WILLIS CAMPBELL 7
MR. WELLING; MR. CAMPBELL 29
MRS. CAMPBELL; MR. WELLING; MR. CAMPBELL 34
JANE; MRS. CAMPBELL; WELLING; CAMPBELL 39
MRS. CAMPBELL; WELLING; CAMPBELL 41
JANE; MRS. CAMPBELL; WELLING; CAMPBELL 43
MRS. CAMPBELL; WELLING; CAMPBELL 44
MISS RICE, MISS GREENWAY, and the OTHERS 48
MISS GREENWAY; MR. WELLING 50
MISS RICE; then MR. and MRS. CAMPBELL, and the OTHERS 53
ILLUSTRATIONS
"THE MOST EXCITING PART OF IT" Frontispiece
MR. WELLING EXPLAINS Facing page 52

A BOY'S TOWN
DESCRIBED FOR "HARPER'S YOUNG PEOPLE"
BY
W. D. HOWELLS
CONTENTS.
CHAPTER PAGE
I. Earliest Experiences 1
II. Home and Kindred 10
III. The River 24
IV. The Canal and its Basin 36
V. The Hydraulic and its Reservoirs.—Old River 45
VI. Schools and Teachers 53
VII. Manners and Customs 67
VIII. Plays and Pastimes 80
IX. Circuses and Shows 93
X. Highdays and Holidays 110
XI. Musters and Elections 121
XII. Pets 133
XIII. Guns and Gunning 148
XIV. Foraging 161
XV. My Boy 171
XVI. Other Boys 183
XVII. Fantasies and Superstitions 197
XVIII. The Nature of Boys 205
XIX. The Town Itself 215
XX. Traits and Characters 228
XXI. Last Days 237
ILLUSTRATIONS.
"ONE DAY HE CAME UP TO MY BOY WHERE HE SAT FISHING"
Frontispiece.
THE "FIRST LOCK"
Facing p. 2
"THE PASSENGER IS A ONE-LEGGED MAN"
" 8
"RUN, RUN! THE CONSTABLE WILL CATCH YOU!"
" 18
"HE TOLD THEM THAT HE HAD GOT THEM NOW"
" 44
"THAT HONOR WAS RESERVED FOR MEN OF THE KIND I HAVE MENTIONED"
" 50
"A CITIZEN'S CHARACTER FOR CLEVERNESS OR MEANNESS WAS FIXED BY HIS WALKING ROUND OR OVER THE RINGS"
" 82
KITE TIME
" 92
"THE BOYS BEGAN TO CELEBRATE IT WITH GUNS AND PISTOLS"
" 110
THE "BUTLER GUARDS"
" 122
"ALL AT ONCE THERE THE INDIANS WERE"
" 150
FORAGING
" 168
"THE BEACON OF DEATH "
" 180
"HE ALWAYS RAN BY THE PLACE AS FAST AS HE COULD"
" 198
"THE ARTIST SEEMED SATISFIED HIMSELF"
" 220
"MY BOY REMEMBERS COMING FROM CINCINNATI IN THE STAGE"
" 224

IMAGINARY INTERVIEWS
BY
W.D. HOWELLS
1910
CONTENTS
IMAGINARY INTERVIEWS
The Restoration of the Easy Chair by Way of Introduction
A Year of Spring and a Life of Youth
Sclerosis of the Tastes
The Practices and Precepts of Vaudeville
Intimations of Italian Opera
The Superiority of Our Inferiors
Unimportance of Women in Republics
Having Just Got Home
New York To the Home-comer's Eye
Cheapness of the Costliest City on Earth
Ways and Means of Living in New York
The Quality of Boston and the Quantity of New York
The Whirl of Life in Our First Circles
The Magazine Muse
Comparative Luxuries of Travel
Qualities Without Defects
A Wasted Opportunity
A Niece's Literary Advice To Her Uncle
A Search for Celebrity
Practical Immortality on Earth
Around a Rainy-day Fire
The Advantages of Quotational Criticism
Reading for a Grandfather
Some Moments With the Muse
A Normal Hero and Heroine Out of Work
OTHER ESSAYS
Autumn in the Country and City
Personal and Epistolary Addresses
Dressing for Hotel Dinner
The Counsel of Literary Age to Literary Youth
The Unsatisfactoriness of Unfriendly Criticism
The Fickleness of Age
The Renewal of Inspiration
The Summer Sojourn of Florindo and Lindora
To Have the Honor of Meeting
A Day at Bronx Park
ILLUSTRATIONS

AT THE OPERA

FIFTH AVENUE AT THIRTY-FOURTH STREET

FIFTH AVENUE FROM THE TOP OF A MOTOR-BUS

CHARLES EMBANKMENT, BELOW HARVARD BRIDGE

THE MALL, CENTRAL PARK

BROADWAY AT NIGHT

ELECTION-NIGHT CROWDS

ZOÖLOGICAL GARDENS, BRONX PARK

THE DAUGHTER OF THE STORAGE
WILLIAM DEAN HOWELLS
THE DAUGHTER
OF THE STORAGE
AND OTHER THINGS
IN PROSE AND VERSE

W. D. HOWELLS

HARPER & BROTHERS PUBLISHERS
NEW YORK AND LONDON
CONTENTS
PAGE
I The Daughter of the Storage 3
II A Presentiment 45
III Captain Dunlevy's Last Trip 67
IV The Return to Favor 81
V Somebody's Mother 93
VI The Face at the Window 107
VII An Experience 117
VIII The Boarders 127
IX Breakfast Is My Best Meal 141
X The Mother-Bird 151
XI The Amigo 161
XII Black Cross Farm 173
XIII The Critical Bookstore 185
XIV A Feast of Reason 227
XV City and Country in the Fall 243
XVI Table Talk 253
XVII The Escapade of a Grandfather 269
XVIII Self-Sacrifice: A Farce-tragedy 285
XIX The Night before Christmas 319

THE QUALITY OF MERCY
A NOVEL
BY W. D. HOWELLS
1892
CONTENTS

PART FIRST.

I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
XXIV.

PART SECOND.

I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.

PART THIRD.

I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.

BY WILLIAM DEAN HOWELLS.
BY CHARLES DUDLEY WARNER.
BY CONSTANCE F. WOOLSON.
BY MARY E. WILKINS.
BY LEW. WALLACE

A COUNTERFEIT
PRESENTMENT

AND
THE PARLOUR CAR

WILLIAM D. HOWELLS
CONTENTS
PAGE
I. An Extraordinary Resemblance, 7
II. Distinctions and Differences, 61
III. Dissolving Views, 99
IV. Not at All Like, 141

THE PARLOUR CAR, a Farce, 191

YEARS OF MY YOUTH

BY
W. D. HOWELLS

WITH INTRODUCTION AND ILLUSTRATIONS
FROM PHOTOGRAPHS TAKEN EXPRESSLY
FOR THIS BOOK BY CLIFTON JOHNSON

(In certain versions of this etext, in certain browsers, clicking on this symbol will bring up a larger version of the illustration.)
Preface by the Illustrator
Illustrations
Chapters: I, II, III, IV.

Some typographical errors have been corrected; a list follows the text. (etext transcriber's note) ILLUSTRATIONS

The waterside at Martin's Ferry

Frontispiece

The Ohio River at Wheeling, West Virginia

Facing p. 10

Hamilton, Ohio, the "Boy's Town" of Mr. Howells's youth

" 16

The Miami Canal at Hamilton

" 22

The now abandoned canal at Dayton as it appears on the borders of the city

" 40

The Little Miami River at Eureka Mills, twelve miles east of Dayton

" 44

Overlooking the island which the Howells family cultivated

" 54

The vicinity where Mr. Howells lived his "Year in a Log Cabin"

" 60

One of the last log houses to survive in the vicinity of Jefferson

" 82

The four-story office erected by Mr. Howells's father

" 116

The Ohio State House at Columbus viewed from High Street

" 138

The State House yard on the State Street side

" 158

Old-time dwellings on one of the Columbus streets that Mr. Howells used to frequent

" 170

The Medical College at Columbus

" 184

The quaint doorway of the Medical College through which Mr. Howells passed daily while he roomed in the building

" 224

Looking into the State House grounds toward the broad flight of steps before the west front of the building

" 236

MRS. FARRELL

A NOVEL BY

WILLIAM DEAN HOWELLS

With an Introduction by
Mildred Howells

Chapter I II, III, IV, V, VI, VII, VIII, IX, X, XI, XII, XIII, XIV, XV.

MY YEAR IN A LOG CABIN

BY
W. D. HOWELLS
A BIT OF AUTOBIOGRAPHY

ILLUSTRATED I, II, III, IV, V, VI, VII, VIII, IX, X, XI, XII, XIII.

THE RISE OF SILAS LAPHAM

by
William Dean Howells

CONTENTS CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII CHAPTER XVIII CHAPTER XIX CHAPTER XX CHAPTER XXI CHAPTER XXII CHAPTER XXIII CHAPTER XXIV CHAPTER XXV CHAPTER XXVI CHAPTER XXVII

ITALIAN JOURNEYS
By W.D. Howells
1867 and 1895

THE ROAD TO ROME FROM VENICE.

I.—LEAVING VENICE.

II.—FROM PADUA TO FERRARA.

III.—THE PICTURESQUE, THE IMPROBABLE, AND THE PATHETIC IN FERRARA.

I.

II.

III.

IV.

V.

VI.

VII.

IV.—THROUGH BOLOGNA TO GENOA.

V.—UP AND DOWN GENOA.

VI.—BY SEA FROM GENOA TO NAPLES.

VII.—CERTAIN THINGS IN NAPLES.

VIII.—A DAY IN POMPEII.

IX.—A HALF-HOUR AT HERCULANEUM.

X.—CAPRI AND CAPRIOTES.

XI.—THE PROTESTANT RAGGED SCHOOLS AT NAPLES.

XII.—BETWEEN ROME AND NAPLES.

XIII.—ROMAN PEARLS.

FORZA MAGGIORE.

AT PADUA

A PILGRIMAGE TO PETRARCH'S HOUSE AT ARQUÀ.

A VISIT TO THE CIMBRI.

MINOR TRAVELS.

I.—PISA.

II.—THE FERRARA ROAD.

III.—TRIESTE.

IV.—BASSANO.

V.—POSSAGNO, CANOVA'S BIRTHPLACE.

VI.—COMO.

STOPPING AT VICENZA, VERONA, AND PARMA.

DUCAL MANTUA.

About this eBook

The Project Gutenberg eBook of Complete Project Gutenberg William Dean Howells Works This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Complete Project Gutenberg William Dean Howells Works

Author: William Dean Howells

Release date: August 1, 2002 [eBook #3400]
Most recently updated: October 22, 2021

Language: English

Other information and formats: www.gutenberg.org/ebooks/3400

Credits: Produced by David Widger

[NOTE: There are short lists of bookmarks, or pointers, at the end of
many of the major sections of this work for those who may wish to sample
the author's ideas before making an entire meal of them. D.W.]

[NOTE: This work is a compilation of the writings of William Dean Howells
prepared by several contributors to Project Gutenberg. As more of his works are
produced and posted as etexts they will be inserted into this file.
D.W.]

[NOTE: Last

*** END OF THE PROJECT GUTENBERG EBOOK COMPLETE PROJECT GUTENBERG WILLIAM DEAN HOWELLS WORKS ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.